Bainton Reference Prize), and Conversions: Gender and Religious Change in Early Modern Europe (Manchester University Press, 2017). 1530-1700 (Oxford University Press, 2015 awarded the Roland H. Helen is co-editor of Renaissance Paratexts (Cambridge University Press, 2011 paperback 2014), The Oxford Handbook of the Bible in Early Modern England, c.
Bainton Literature Prize and the DeLong Book History Prize.
Her first monograph, Grossly Material Things: Women and Book Production in Early Modern England (Oxford University Press, 2012) was awarded the Roland H. as Helen Smith and Louise Wilson astutely remark in Renaissance Paratexts (2011), that paratextual reading could be seen as a more difficult. Helen has published more than thirty articles and chapters on topics ranging from the printing of Shakespeare’s early plays to the links between reading and digestion, the cultural and domestic presence of animals, the imaginative connections between physical illness and spiritual trial, and the many uses of early modern paper. Her wide-ranging interests embrace Renaissance poetry, drama, and prose history of the book feminist literary history and theory religion and conversion the history of reading and materiality. “Journals like prove that it is indeed possible to nurture and respect the work of scholars of all stripes, to find expert and humane reviewers, and to stick to reasonable time frames." - Harry R.A graduate of Glasgow and York, Helen taught at St Andrews and Hertfordshire before returning to York in 2004. “ Early Theatre has such an efficient, professional, and courteous editorial and production team-this has been a very positive experience!” – Misha Teramura, University of Toronto This green open access policy aligns with UK Research Excellence Framework recommendations as well as Canadian TriCouncil requirements. In his 1987 work Paratexts, the theorist G rard Genette established physical form as crucial to the production of meaning. pdf copy of their finalized article for self-archiving to a repository where it can be immediately accessed, freely, by readers around the world. Through our adoption of the DOI citation system, Early Theatre ensures persistent, reliable links that help direct greater online traffic to your research. She is author of Grossly Material Things: Women and Book Production in Early Modern England and co-editor of Renaissance Paratexts (with Louise Wilson), The.
Global Readership: Early Theatre is available internationally through Project Muse, JStor, EBSCO, and ITER. We use a standardized, independent, double-anonymous peer-review process. Efficient, Personalized, Professional Service: It is our policy to report expeditiously to authors on their submissions – generally within 4 months.
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